This year’s Juneteenth parade brought together the largest number of club riders on gaited horses that most of us have ever seen in one place at one time. Missing dignitaries were Austin mayor Leffingwell and council-members Riley and Cole. The elected officials drawing the greatest positive response at our viewing point across from the Fresh Up Club sign were the county judge, the county sheriff, and precinct constable Danny Thomas. Only one marching band turned out, the Greater Houston All Star Band. The percussionists of Spirit of the Drum made lively music, and the ladies drawing sweet music from the pans were most welcome. Volunteers seeking voters to register were having a degree of success. We talked to four of them and saw more; they were covering the entire parade route. The best prize seen was a bouncy soccer-style ball bestowed on a child very happy to receive it. We came home with a new supply of souvenir fans to take to other free Austin hot-weather events and to cool us in the yard when we escape the non-air-conditioned confines of the house this summer. Toy-camera photos and unedited videos give only a hint of the always joyous occasion of the annual Juneteenth parade.
Patience played to a full house, including all the children who arrived early for a special program and remained for the entire matinee performance yesterday, just as entranced as the rest of us.
H.M.S. Pinafore, The Pirates of Penzance, and The Mikado seem to be the most frequently performed masterpieces, but, thanks to our very own Gilbert & Sullivan Society of Austin, we are privileged to enjoy every gem and delight in the Gilbert and Sullivan repertory.
Sparkling in the intimate new performance setting of the arts center of Brentwood Christian School (map), which seats 400 and boasts an orchestra pit that conceals the professional-quality 15-piece orchestra, Patience is a complete theatrical experience. The 22-voice chorus (11 men, 11 women) sang with a snappy vigor and the clarity that made the supertitles showcasing the lyrics really unnecessary.
Every principal singer shone, and the audience welcomed the return of comic and musical stalwarts Arthur Di Bianca, Holton Johnson, Jeanette Jones, and Russell Gregory. Meredith Ruduski, as Patience the dairy maid herself, was a fine lyric and comic presence.
Everyone associated with this production should be very proud. A lot of the stage business and choreography was quite demanding. The audience laughed everywhere it was supposed to and nowhere it was not.
Just five performances remain: Thursday, 14 June, at 8 pm; Friday, 15 June, at 8 pm; Saturday, 16 June, at 3 pm and at 8 pm; and Sunday, 17 June, at 3 pm. For ticket information, call 474-5664; advance prices are $20 for adults ($25 at the door), $15 for students over 18 with identification ($20 at the door), and $7 for those 18 and under ($10 at the door).
Do not deprive yourself. If you love music or theater or both, treat yourself to Patience.