Don Giovanni: a disguished production
If you miss the Austin Opera production of Don Giovanni (the May 3 Sunday matinee at 3 pm is the last live performance, with a KMFA live broadcast Don Giovanni beginning at the same time), you’ll miss a highlight of 2015 music and theater in Austin.
The music is always a delight to hear whether or not the opera is staged in such a fashion as to awake emotions and promote deep engagement with the plot. So many times, for example, Donna Elvira is almost a figure of ridicule; not so in this staging. The entire cast sings beautifully, alone and with other members; the sets and lighting are evocative and speedily set up for each succeeding scene so that no virtually no time is expended in waiting and so that the momentum never flags. All stage business is inventive, but never to the extent that outpourings of song are hindered. The singers are not just vocally agile; they are physically agile, to the extent that they appear able to enjoy second careers as acrobats and dancers. It would be unfair to single out any individual member of the cast for particular distinction: everyone sounded wonderful, as did the orchestra and chorus.
The Friday night audience was attentive from beginning to end; no departures were observed during the sole, brief intermission; enthusiastic applause lasted and lasted. Check on line for available remaining tickets for Don Giovanni (as low as $15 and there are no bad seats), and don’t forget the live broadcast. What a triumph!