It was foggy and damp for today’s parade, but there was music for everyone: the Eastside Memorial band, the LBJ High School band, and a contingent from the 36th Infantry Division band of the Army National Guard complete with banjo and instrumentalists who sang. The Air Force J.R.O.T.C. from Del Valle was there; so were Shriners and a group of Vietnam veterans. There were no political candidates. The day was damp and overcast; spirits were bright. Search this site for recollections of other Texas Independence Day parades. See photographs and unedited videos and look for people you know.
Nine Inch Nails had their Austin City Limits debut on Monday, November 5th at the Moody Theater. The band currently features a bass player, four multi-instrumentalists, two back up singers and Trent Reznor. We all know that Trent Reznor *is* NIN and that’s evident during their live set. He’s definitely the band leader and his control of the set from center stage is evident. His band is a mix of old and new members. One of the back up singers in particular was impressive.
This was one of the most uncomfortable tapings that I’ve ever attended. Apparently, the air conditioning was turned off and then later restarted at the band’s request. It was way too hot. I guessing the band regretted that decision pretty quickly.
They played ten songs from the latest release, Hesitation Marks. “Sanctified” was the only track from Pretty Hate Machine. “In This Twilight” and “Survivalism” came from Year Zero. My personal favorite album is The Fragile and they played “The Frail” immediately followed by “The Wretched” and later, “The Big Come Down” and “Even Deeper”. They closed with “Hurt” from The Downward Spiral.
The episode will air sometime after January 2014. Check the schedule page for air dates.
Here’s the set list:
- All Time Low
- Come Back Haunted
- Copy of A
- The Frail / The Wretched
- Find My Way
- Various Methods of Escape
- I Would For You
- The Big Come Down
- Even Deeper
- In This Twilight
- While I’m Still Here
Here for our enjoyment is a lush sonic treat in every respect, and a visual feast as well, with a fine orchestra, a lively chorus, and a uniformly excellent cast of singers in the leading roles, plus a production that fills the stage: Austin Lyric Opera has outdone itself with the current production of Verdi’s Don Carlo.
Don Carlo was staged as one of the musical events inaugurating the Performing Arts Center on the UT campus, but has not been performed here since.
At the Long Center on Friday, the temperature became chillier as the evening went on, so it’s best to dress for all conditions. Another reason to dress for comfort is that the performance lasts for three and one-half hours.
Tickets are still available for the two remaining performances (Thursday, November 21, at 7:30 pm; and Sunday, November 24, at 3 pm).
Anyone not able to attend in person may hear a live broadcast via KMFA 89.5-fm radio, beginning at 2:50 pm on Sunday, November 24.
This ambitious undertaking is also a strongly successful one and should not be missed! Anyone who loves music and theater is in for a great treat.
Queens of the Stone Age (QOTSA) had the honor of, as Terry Lickona put it at the start of last night, “kicking off ACL Festival” with their taping at Austin City Limits at the Moody Theater, the show’s home since Season 37.
QOTSA have had a rotating line up over the years with Josh Homme being the only consistent member from the days that the band started after the breakup of Kyuss in the mid-90s. That being said, the current line up has been relatively steady of late except for the addition of drummer, Jon Theodore. All of the current members have other side projects or came from success with other bands. Both Josh Homme and Alain Johannes played Austin City Limits before with Them Crooked Vultures in Season 35.
They stuck to mostly tracks from their new album …Like Clockwork with eight tracks coming from that album. They played four from 2002’s Songs for the Deaf, which is my favorite of theirs. I tend to associate particular albums with different parts of my life and that one always reminds me of the time right before my daughter was born. I was listening to it in the car at the time and particularly remember it going to and from midwife appointments. “In the Fade” was the only track from Rated R and “Little Sister” was the only track from Lullabies to Paralyze. “Misfit Love” and “Make It Wit Chu” from Era Vulgaris. I understand why they’d focus on the latest, but I would’ve liked to see a few more tracks from both Songs for the Deaf and Lullabies to Paralyze. I agree with some of the reviews that I’ve read that the last two albums tend to be less driving than the two more recent efforts.
The episode will air as part of Season 39 on January 4th at 7pm on KLRU locally. The band plays the Austin City Limits Festival tonight at 7:30pm on the Bud Light stage and at the same time and stage next Friday as a part of the second weekend.
- You Think I Ain’t Worth a Dollar, but I Feel Like a Millionaire
- Misfit Love
- No One Knows
- My God is the Sun
- I Sat By The Ocean
- …Like Clockwork
- In the Fade
- If I Had A Tail
- Little Sister
- Make It Wit Chu
- Smooth Sailing
- I Appear Missing
- Go With The Flow
- The Vampyre of Time & Memory
- Song for the Dead
Fun. made their first appearance at the Moody Theater downtown last night. This taping had the most kids in attendance that I think I’ve ever seen at any ACL show. I also noticed for the first time that they made multiple announcements that people need to be in their seats by the 8pm show start time and that they *really* don’t want people to have their cell phones out. This has been the policy all along, but they must be having problems with morons who either can’t pull themselves away from the bar or feel the need to try to take photos or video.
Fun. is perfectly suited for live audiences. Every other song is an anthem with plenty of opportunities for audience participation. They remind me a bit of Queen in that respect. Hopefully, the crowd singalongs will come through in the broadcast.
Nate Ruess has an impressive voice, another similarity to Queen. Unfortunately, it appears that he’s been having some voice issues and they ended up cancelling the today’s show in Florida with Mumford & Sons. I didn’t notice him struggling during the taping, so I’m glad that he was able to pull off the television show.
Jack Antonoff, guitarist for Fun., mentioned his love for Austin and that he’s played at Beerland, the smaller room at Emo’s, the larger room at Emo’s, the small room at Stubb’s and then outside at Stubb’s last year when they had their breakout singles from their second album, Some Nights, which also landed them a couple of Grammys. The band was accompanied by three other musicians for the night’s broadcast.
I was only familiar with their singles. They played an even mix of material from both of their albums. My wife and I particularly enjoyed “The Gambler”, a song Nate Ruess apparently wrote for his parents.
Fun. will play the Austin City Limits festival on Friday, October 4th at 4pm on the AMD stage and Friday, October 11th at 4pm on the Lady Bird stage. The 39th season of Austin City Limits begins airing locally on KLRU on Saturday, October 5th.
- Out on the Town
- One Foot
- All Alone
- Why Am I
- At Least
- Pretty Girls
- Carry On
- The Gambler
- We Are Young
- You Can’t Always Get What You Want (Rolling Stones cover)
- Some Nights
Don’t miss this musical and stage delight. Just five performances remain for the the Austin Gilbert & Sullivan Society production of Princess Ida: Thursday, 20 June, 7:30 pm; Friday, 21 June, 7:30 pm; Saturday, 22 June, 2 pm; Saturday 22 June, 7:30 pm; and Sunday, 23 June, 2 pm. All performances are supertitled. The venue is the lovely theater at Brentwood Christian School, 11908 North Lamar (see map).
Principal singers, orchestra, and chorus have never sounded better. Princess Ida serves up vivid characterizations and laugh-out-loud comedy. This is a three-act production. We attended the children’s matinee and, even though the show is a bit longer than usual, it held the attention of all ages from start to finish.
We are so fortunate to be able to enjoy a production of such wonderful quality, a theatrical pleasure in every way: music, acting, dancing, and wonderful stagecraft of all kinds. There are no bad seats and there are supertitles to assist the audience in following the rapid patter of many of the songs. These are far better coordinated with action on the stage than, say, those at the Austin Lyric Opera, where people sometimes laugh at a comedic action that hasn’t yet been sung or acted.
Princess Ida is obviously a labor of love, and the audience did love it. So will you.
Fortified by delicious brisket from Live Oak Barbeque, we very much enjoyed seeing the crowd assemble. Many could not resist dancing on the Capitol lawn as we heard such favorite hits as “No mas un puno de tierra,” “tragos amargos,” “casas de madera,” “un rinconcito en el cielo,” and many, many more.
As always there was much meeting and greeting. Congressman Lloyd Doggett took the stage and spoke briefly to great applause. Big news is that, in celebration of the fortieth anniversary of the Mexican American Legislative Caucus, Ramon Ayala y sus Bravos del Norte will give a free concert in the south grounds of the Capitol, from 6 to 9 pm on May 15. Here are the FAQs for the event.
Henry Zimmerle and his conjunto have played many times at this event and are always a treat to hear. Our great favorites are Los Dos Gilbertos, and they never disappoint.
When we left, between 6 and 7 pm, people were beginning to pour in and there was already a crowd. Toy-camera photos and unedited videos can never come close to capturing the delight of this festival. How wonderful it is for Austin to enjoy this wonderful annual event, made for all ages!
The Austin Lyric Opera orchestra sounds better and better and the cast of singers is outstanding. We are privileged to enjoy a memorable production of Gounod’s Faust.
All begins well. Faust has the opening of the opera to himself, and Jonathan Boyd sings beautifully and compels attention. The scene-stealer throughout is Mephistopheles, and Jamie Offenbach commands the audience from his very first entrance. The silent-screen-villain business is made for him. Once the soul-selling bargain is complete, we first meet the soldier Valentin and then his sister, Marguerite, soon to be the object of the attentions of the rejuvenated Faust. The character of Valentin is essential to the plot and Hyung Yun is an example of the excellent casting of this production. Jan Cornelius, our Marguerite, is a fine physical actress and has a beautiful voice, employed to full effect. From Siebel (Claire Shackleton) and Marthe (Cindy Sadler) to every member of the chorus, the singing is delightful.
The music never loses its enchantment, but the embodiment of the plot on stage becomes a bit peculiar, even ludicrous at times. Satan and the three devilettes in red wigs, the tableau vivant in which the figures become animated, the insane asylum, and more just cannot be properly described, but must be experienced in person. Several members of the audience near us really couldn’t completely stifle their laughter, and that’s understandable. In addition, what began seeming to be a sensible utilitarian set and production design required two quite lengthy scene changes behind a closed curtain in the final act. The projection of various words in bad typefaces added nothing praiseworthy, either.
At any rate, there’s one remaining performance, today at 3 pm at the Long Center, and tickets are still available. KMFA radio, at 89.5-fm, will broadcast it live, with commentary beginning at 2:30 pm. The music is sung in French and supertitle translations are shown above the stage proscenium. There are excellent reasons for the immediate and continuing popularity of this opera. It’s always a treat to hear it played and sung so beautifully.
Even the many dogs along the parade route looked happy. Children appeared to be happier still.
Every group in the parade was a delight, and there was some wonderful musicianship. Among the extensive list of those in the parade, there’s no way to pick favorites, really, but we truly did love the Biohazard Brass Band, a super-sharp military aggregation, here all the way from Fort Sam in San Antonio.