La Cenerentola will star the same cast for all performances (scroll down the linked page to read a little about the people who have made this production the wonderful experience that it is). See a show if you can: remaining performances are on Wednesday, November 12, at 7:30 pm; Friday, November 14, at 7:30 pm, and Sunday, November 16, at 3 pm. All the singers are young and talented, and the staging is also a work of art. I hope that this conductor, Robert Tweten, will return for future productions. He and all the singers have a way with Rossini.
The conceit of the show keeps the music, sung in Italian and with projected supertitles in English, but changes the era and the place, to twentieth-century Hollywood. To aid in this, the translations in the supertitles take some liberties, but in truth the plot is the same as it has always been. We all know that story and this is just another variant.
Program notes place the setting in the ‘Thirties. It’s an eye-candy pastiche that doesn’t follow a fashion timeline terribly closely. We see everything from stepsisters wearing clothes that could have come straight from Mary Pickford’s wardrobe during the silent era, to flapper dresses accessorized with cloche hats, to a smart little tailored suit with a peplum jacket of the sort that many women wore as their best civvies during WWII and up to the introduction of The New Look. Some of the men are costumed in plus-fours, argyle sweaters, and other hallmarks of a gone-by era. Everyone, male and female, gets to sport entertaining headgear at one time or another.
There’s so much to praise that I’ll just report that the show was wonderful: musicianship with clear enunciation, a small but clear orchestra ably conducted, and everything about the staging itself, including sets, costumes, use of the chorus, lighting, and the wonderful choreography, which on a small but heroic scale was a tribute to Busby Berkeley
The Long Center commands one of the finest views of downtown. This photograph makes it look a bit like a set from a German Expressionist movie, but there’s more to it than that. We noticed a light sculpture meant to be walked on, and some kids were having a fine time trying to be the best predictor of the next color of the panel under foot.